Flower Girl

​I often stop, and truly take in the human statues I see in our cemetery. Most often these are females, and come in the form of angels, "women in mourning state" and young cherubs. Recently, I spotted a young figure of a girl who looked quite angelic, but I don't know if she was actually depicting one of the heavenly variety as I didn't spy any wings. She is holding what looks to be a small bunch  of flower petals in her left hand, and appears to be in the process of dropping a petal (or petals) with her right hand —and on this very grave. I’m not sure of the exact significance of this act, but angels are often known to spread blessings.

I soon asked myself whether this funerary ornamentation was intended to be a representation of the young nine-year-old decedent in this grave space, or that of a like-aged chum showing affection and/or pity for young Rebecca M. Zacharias (August 25th, 1891-December 16th, 1899)?

I then thought about whether this marble art piece has a relationship to flower girls, you know, the ones utilized at weddings. Their role is to spread flowers or petals ahead of the bride, or hand them out to the guests. 

I decided to review the duty behind flower girls at weddings. Of course, job number one is to be incredibly cute and actually steal a bit of attention away from the marital couple. The flower girl is responsible for throwing flower petals on the ground as she walks down the aisle before the bride. The origin of the tradition is believed to have stemmed from symbolizing a leading of the bride from childhood to adulthood, and soon-to- be motherhood. It’s for this reason that the flower girl is also usually dressed in white, representing innocence, similarly to the color worn by most brides.
 
Rose petals are said to symbolize fertility and the couple's hope for children.  The tradition apparently began in Ancient Rome, where the flower girl serviced the bride and groom by carrying wheat and herbs. This was to bless them with prosperity and fertility. I also read that the tradition may have originated from superstition, with the flower girl throwing petals to ward off evil spirits. During the Renaissance, flower girls carried strands of garlic based on the belief that garlic repelled bad luck, along with vampires too as we all know.

In the Elizabethan era, wedding guests would scatter flower petals from the bride's home to the church. Flower girls followed musicians in the wedding procession, “carrying a gilded rosemary branch and a silver bride's cup adorned with ribbons.” The cup was usually filled with flower petals or rosemary leaves, as an alternative to a basket. Other alternatives included a small bunch of rosemary sprigs used as a sweet posy or a small floral bouquet, incorporating sprigs of fresh rosemary.

The Victorian flower girl most resembles the modern ones we all know. Victorian-era (1837-1901) flower girls were traditionally dressed in white, perhaps with a sash of colored satin or silk. Her dress, usually made of muslin, was intentionally simple to allow future use. The Victorian flower girl carried an ornate basket of fresh blooms or sometimes a floral hoop, its shape echoing that of the wedding ring and symbolizing that "love has no end."

Victorian mourning card from 1881

Well, that's the story behind wedding flower girls, dropping petals at the happiest of life's occasions. So what then does this statuary monument here in Mount Olivet's Area R represent? ​The Victorians regularly used symbols for funerary art. The angel was a symbol of spirituality & the hand pointing downward traditionally symbolized “sudden death” or “mortality." Petals plucked from a whole flower is like a person leaving the whole of humanity —a journey traveled alone to heaven.
 
In researching further, I found the legend of St Dorothy. On her way to death, she was mocked by Theophilus of Adana in Luke's Gospel of the Bible. He asked for proof of the heavenly garden she was going to. After Dorothy's death, an angel visited him with a basket containing flowers and fruit in the middle of winter. This would correlate to our angel or girl on this particular memorial in the act of bringing proof that the deceased is in heaven.
 
The floral bouquets in the hands of angels can be found in some instances as spreading floral petals over hallowed ground. I think the bouquets are comprised of “roses” (symbol for love) and “forget-me-not” (symbol for remembrance). Sometimes the opposite is true as angels can also be shown as picking flowers, signifying the harvest of souls for heaven. 

We've talked before in this blog about the iconography of flowers in cemeteries. Here's a link to a story from seven years back. Interestingly, the cover image (of the story) was taken in this very, family lot of the Zacharias family. I had zeroed in on an old flower pot on the bookend side of Rebecca M. Zacharias' parents/grandparents large family marker. This is in Area R/Lot 81. 

Flowers on the Zacharias plot from a story entitled "Flowers Eternal," published on June 16, 2018. The link can be accessed by the button below.

"Flowers Eternal" Story in Stone

So that's all I can tell you about this unique statuary monument. Naturally, I was equally curious to learn more about the young child under the monument—a poor soul who died at nine years of age, long before having the opportunity to walk down a church aisle while following a flower girl. 

I didn't expect to find much on little Rebecca Mealey Zacharias whose life spanned less than a decade. As I reported earlier, she was born on August 25th, 1891.  By dying in late December, 1899, she would never be enumerated in a US Census. Rebecca was the daughter of Horace C. Zacharias and Tempie Elizabeth Wilcoxon. She had one sibling, a sister named Hilda A. who was born in 1897.

Shown below are Rebecca's interment card from the Mount Olivet records, along with her obituary announcement and a report on her funeral from the Frederick News.

Mount Olivet Cemetery Interment Card for Rebecca M. Zacharias

Frederick News (Dec 16, 1899)

Frederick News (Dec 19, 1899)

I was tickled to see that Rebecca's funeral service included floral testimonials that "were numerous and handsome." The image of Rebecca's young Sunday School classmates also conjured up quite a scene in my mind's eye.  Things also came more in focus as I looked again at the photo I had taken of epitaphs found on the back of the base of Rebecca's monument.

The obvious overarching title which is clearly legible is the word "Sleeping," a wholly Victorian notion toward death as this was the period when expressions such as "Resting in Peace" and "In Golden Slumber" came into existence in cemeteries and would soften the Puritanical attitude towards death as ambivalent and containing both terror at the possibility of eternal damnation and hope for deliverance.

Below "Sleeping" are three separate epitaphs, two of which come from the Bible. The first line is from Psalms 31:1 and reads, "In thee O Lord do I put my trust." The second, "Budded on earth to bloom in heaven," is especially poignant and speaks to the fact of a life cut short before its prime. The final epitaph comes from Colossians 3:3,  "Your life is hid with Christ in God."

In my scanning of local newspapers for anything more on Rebecca, I would find two memorials published during the year after her death (1900). These were submitted to the Frederick News by family members, and fittingly include references to both angels and flowers.

Frederick News (Feb 16, 1900)

Frederick News (Dec 17, 1900)

Zacharias Family Plot in Area R/Lot 81

Horace C. Zacharias and Family

The larger Zacharias cemetery plot here in Mount Olivet's Area R is quite impressive. The family monument is located a few feet south of Rebecca's "flower girl" and is by far the largest in the area. The central family monument has the Masonic compass emblem on its face on its eastern side. On the opposite, west side, a monogram of J. F. Z. exists. Three generations of family are here in the form of Rebecca and her sister, her parents and her grandparents.

​Let's talk about Rebecca's parents, Horace Clinton Zacharias and Tempie Elizabeth Wilcoxon. Horace was born in Frederick on March 10th, 1867, the only child of John Flavius Zacharias (1842-1868) and wife Ann Rebecca (Miller) Zacharias (1839-1908). Horace's father, John Flavius Zacharias died the year after Horace's birth. I found John Flavius in the 1860 US Census living on the farm of his father, Christian Zacharias (1802-1875), a farmer of Emmitsburg District in northern Frederick County.

1860 US Census showing John Flavius Zacharias living with father Christian Zacharias on the family farm in Emmitsburg

1873 Titus Atlas Map showing Zacharias family properties southeast of Emmitsburg and near the confluence of Stony Branch and the Monocacy River. (C. Zacharias at center-bottom)

Thanks to a publication entitled The Annals of Franklin County, Pennsylvania (published in 1905), I learned about the family progenitor who immigrated to America from Germany. This was Matthias Zacharias (1757-1825) who eventually settled in Stony Branch Valley, roughly three miles  southeast of Emmitsburg. He called his property "Single Delight." His son, also named Matthias Zacharias (1757-1825), was a Revolutionary War veteran who has a great story in connection with his old countrymen, the Hessian soldiers. These men were Horace C. Zacharias' Great-Great Grandfather and Great-Grandfather.

While researching this story, I discovered that my old friend, Michael Hillman, has included a great research of the Zacharias family and their properties on his Emmitsburg.net website. Click the link to read more, however we are going to focus on Horace Clinton Zacharias at this point as he was the man who erected the fine monument for Rebecca, and the large granite Zacharias stone in memory of his parents as his father's monogram adorns the western face with outlier markers for them, as he would also have for him and his wife, Tempie. I've been told that this monument is made from a very high grade granite, and likely cost a great deal at the time of purchase.

Surprisingly, Horace C. Zacharias does not have a biography in Williams' History of Frederick County. I had to piece together his life from reading newspaper articles. His obituary in 1946 was accompanied by a photo, so I could finally put a face with a name.

According to Horace Zacharias' obituary, the family lived at 100 East Third Street, in a house that he built in 1895. The earlier house on the property was owned by John W. Miller, his maternal grandfather. Horace John Miller was a butcher and Horace and his widowed mother were living with Miller in the 1870 census after his father's death. 

1870 US Census showing 3-year-old Horace Zacharias living with his mother Ann Rebecca (Miller) Zacharias and his maternal aunt and grandparents

The former home of Horace Zacharias is located at 100 E 3rd St in Frederick on the southeast corner of Maxwell Alley. Today it is known as Georgetown Apartments and has Quinn AME Church as its next door neighbor.

The family situation was the same for Horace a decade later as his Aunt Elizabeth Miller assumed the home after his grandparents' deaths in 1876 and 1877 respectively. He received an education in local schools.

1880 US Census showing Horace C. Zacharias living on E 3rd St.

One of the first mentions of Horace in the Frederick News that I could find was in spring of 1886. He was a member of something called the "Occasional Club," a supposed social organization that liked to dance. From an article dated May 16th, I also learned that Horace was musical director for the Frederick Cornet Band.

Frederick News (May 16, 1886)

On the very next day, the Frederick News printed a Frederick Business Index in the May 17th edition of their publication. I learned that Horace was doing more than just the "Occasional Club" activities as he was working in a business that perfectly befits his first name. He was proprietor of a livery business on today's Maxwell Alley between East Second and East Third streets. This was basically his back yard.

For those unfamiliar with the profession, a livery in the late1800s was an establishment that rented out horses for riding, or for pulling buggies or wagons. It also boarded horses for those who did not own a stable. For a price, the livery would feed, groom, and exercise a boarded horse, and also keep its stall clean. The livery provided feed and bedding. Horace would give his business the name Champion Livery.

Frederick News (May 17, 1886)

1892 Sanborn Fire Insurance Map showing "Zacharias Champion Livery" on Maxwell Alley (formerly known as Middle Alley) between E. 3rd and E 2nd streets.

I went on to find several articles over the next decade that praised Horace's business, and the way in which he conducted it. He would often be mentioned as bringing residents to special outings throughout the county, with frequent destinations being White Rock on Catoctin Mountain in the Yellow Springs area north of town, and Sugarloaf Mountain to the southeast of Frederick City. Articles talk of his bandwagon, busses and beautiful stock horses. Along the way, Horace would find a wife in Tempie Elizabeth Wilcoxon (b. May 3, 1867), daughter of Frederick lumberyard owner John A. Wilcoxon (1807-1883). 

Frederick News (Feb 5, 1886)

Frederick News (Nov 2, 1886)

Frederick News (June 30, 1887)

Frederick News (June 12, 1889)

Frederick Citizen (August 13, 1889)

Frederick News (April 10, 1895)

Frederick News (Nov 17, 1896)

Frederick News (July 7, 1897)

Frederick Citizen (Dec 22, 1899)

1900 US Census showing Zacharias family on E. Third

As Horace's business was "off and running," or better yet, "trotting along," he kept himself active with volunteer work with his church, and within Frederick's Columbia Lodge. At Evangelical Lutheran Church, he became manager of the Sunday School, and would later be responsible for dedicating a memorial window to his mother, Ann Rebecca Zacharias, upon her death in 1908. He would become a Worshipful Master of the local Freemasonry chapter and was instrumental in the building and opening of the chapter's new home on West Church Street in 1902.

Frederick News (Nov 28, 1898)

Frederick News (Feb 10, 1902)

Memorial window to Ann Rebecca Zacharias (right) in Frederick's Evangelical Lutheran Church

Frederick News (Dec 2, 1902)

Around this same time, we see Horace C. Zacharias changing gears professionally. He would sell his Champion Livery business in 1901 to a man named George Edward Myers. Mr. Myers would operate this business until 1909 and a picture survives of his granddaughter Lizzie (Mary Elizabeth Stewart Myers) holding two horses outside the stable location on Maxwell Alley. This photograph appears in Gorsline, Cannon & Whitmore's Pictorial History of Frederick (1995) and is part of Heritage Frederick's rich collection.

Frederick News (March 30, 1901)

Lizzie Myers in front of the former Champion Livery stable on Maxwell Alley (c.1906)

looking north up Maxwell alley towards East 3rd St. The old livery stables of Zacharias and Myers would have been on the east/right side of alley. Today their is an automobile garage with room for 31 automobiles according to an old newspaper story.

In the 1910 census, Horace C. Zacharias gives his profession as that of a "Stock Dealer." I found a number of articles showing him in the purchase and sale of business stocks, and also in local real estate. Properties would come to include 37 and 39 East Third Street, along with 42 and 44 East Third Street. In addition, he acquired land east of Frederick on the southside of the Old Baltimore Turnpike (Rt 240) near the old Emmons C. Sanner Farm near Quinn Orchard Road. In the 1920s, Horace returned to his roots and dealt in livestock.

However, one of Zacharias' most savvy dealings would include purchasing property between Carroll Creek and today's Citizens Way, along the east side of Court Street. This occurred in 1900, and was later co-owned with a gentleman named James Burke. Nearly four decades later it would become the site of Frederick's first large scale supermarket. 

Frederick News (Jan. 11, 1938)

Frederick News (March 29, 1938)

Frederick News (Jan 27, 1939)

1947 lease deal for widow Tempie Zacharias after Horace's death

A&P Grocery store in background on S. Court St across from the Municipal Parking Lot. Today, the Court Street Parking Deck sits on the old site of the A&P which moved to a location on W. Patrick St (now Comcast). The parking lot serves for special parking for the Frederick County Courthouse.

Horace C. Zacharias died on January 23rd, 1946. He had a great career as a local businessman. His death made front-page news and his funeral was well-attended. The only thing that was missing was the opportunity to see his daughter Rebecca fully blossom into adulthood. He would be laid to rest by her side on the family plot on January 26th.

Frederick News (January 24, 1946)

Horace's footstone-style marker is on the eastern side of the large Zacharias monument, and his parents' footstones are on the west side of the monument.

The Masonic square symbol is closely associated with morality, or acting within the square of virtue, and the compass refers to Freemasons conducting themselves within the boundaries of their trade, lodge and society. The letter "G" in Freemasonry refers to God.

West view of the Zacharias family monument in Area R in springtime with the individual markers for Horace's parents John F. and Ann Rebecca.

Horace C. Zacharias' wife Tempie would live nine years before her death on February 2nd, 1955. Her mortal remains would be placed next to her husband and within a few short yards of her beloved daughter, Rebecca. 

Frederick News (Feb 3, 1955)

Frederick News (Feb 7, 1955)

I loved that Mrs. Zacharias' funeral announcement described the event as having "a profusion of flowers,"  so fitting as I will now always associate this funeral plot with flowers. Unlike Rebecca, the Zacharias' other daughter, Hilda Ann (Zacharias) Opel, would live a life eleven times as long as her deceased older sister. Hilda lived from 1897 to 1997 and is buried with her husband Charles A. Opel directly behind our "flower girl" —​Rebecca M. Zacharias.

*****************************************************************************************************************Would you like to learn more Frederick history from author Chris Haugh?

Consider taking his upcoming 4-part lecture course on entitled:
                     "Legends of Frederick: Johnson, Key, Fritchie & Engelbrecht." 

Tuesday evenings, March 4, 11, 18 & 25 
6-8:30pm
Mount Olivet's historic Key Memorial Chapel
Cost $79 (all four subjects) or $25/each option

Learn more about this course and others presented by Chris Haugh/History Shark Productions. Legends of Frederick will feature four weeks of illustrated presentations exploring the life and times of Gov. Thomas Johnson, Jr., Francis Scott Key, Barbara Fritchie and diarist Jacob Engelbrecht. Tuesday nights in March. Cost $79 for entire 4-part (10 hour) class, or ala carte options for each "legend" at $25. Click the button below to learn more/register or visit HistorySharkProductions.com!

Learn More/Register